Sweet for Swiss


A poster I designed for Swiss.

“Often referred to as the International Typographic Style or the International Style, the style of design that originated in Switzerland in the 1940s and 50s was the basis of much of the development of graphic design during the mid 20th century. Led by designers Josef Müller-Brockmann at the Zurich School of Arts and Krafts and Armin Hofmann at the Basel School of Design, the style favored simplicity, legibility and objectivity.

Of the many contributions to develop from the two schools were the use of, sans-serif typography, grids and asymmetrical layouts. Also stressed was the combination of typography and photography as a means of visual communication. The primary influential works were developed as posters, which were seen to be the most effective means of communication.”


A short little film that shows the essence of the International Typographic Style also known as Swiss Design.

Eugene and Max Lenz,  Sports Poster, 1958

Eugene and Max Lenz,  Sports Poster, 1958

Gaga for Dada


A Poster I Designed for Dadaism

“Dada was a cultural movement that was concentrated on anti-war politics which then made its way to the art world through art theory, art manifestoes, literature, poetry and eventually graphic design and the visual arts. The movement, although Dadaists would not have been happy calling it a movement, originated in Switzerland and spread across Europe and into the United States, which was a safe haven for many writers during World War I.

An anti-art movement, Dadaists attempted to break away from the styles of traditional art aesthetics as well as rationality, of any kind. They produced a great many publications as a home for their writings and protest materials which were handed out at gatherings and protests. The visual aesthetics associate with the movement often include found objects and materials combined through collage.”


A neat video about Dadaism I found.

Marcel Duchamp, Fountain, 1917

Marcel Duchamp, Fountain, 1917